康沃尔渔村的风景明信片田园诗误导了人们。虽然过去钓鱼是一种养家糊口的方式，但如今富有的伦敦游客纷纷下山，取代了当地人，当地人的生计因此受到威胁。史蒂文和马丁兄弟的关系也很紧张。马丁是一个没有船的渔夫，因为史蒂文开始用它来为一整天的游客提供更赚钱的旅游。他们卖掉了这座家庭别墅，现在看来，最后一场战斗是和新主人在海边的停车位上展开。然而，情况很快就失控了，而不仅仅是因为车轮夹钳。 Bait是一种黑白，手工制作，16毫米胶片制作的电影。许多关于鱼、网、龙虾、长靴、绳结和渔篮的特写镜头让人想起了蒙太奇景点的理论。对不同社会阶层的描述——可以说是阶级关系——也让人想起了英国电影中的社会现实主义传统。然而，最重要的是，在影像中不同层次的电影历史参考文献之下，当前许多政治关联正在等待被发现。 The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp. Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata – one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.,没错！这次已经彻底败了，他得领着剩余的鞑靼好汉回草原去。过个三年五载恢复元气了，再杀回来为父亲报仇，也为死去的鞑靼骑兵报仇。……
SASO发表于:71分钟前想了想没舍得三星，拍摄可以说非常精致了，剧情电影并不只是讲好一个故事或者叙事，还有画面的好看、人的好看、风景的好看也是很重要的部分，这片儿在这方面做得很出色了，最大的败笔估计就是男女主角一见面就要开始谈恋爱的那些欲火焚情式拍法了，有些俗套，不过女主角最后的勇敢还是会让人很满足吧。关于书的故事总是很抓我这种傻人，原来俱乐部里这些“爱好者们”做的事儿拍下来的话确实让外人看来是挺傻的（sigh）
扭腰客发表于:75分钟前美到极致的纯手绘水彩画风，私奔一段洒脱的尽显无穷想象力，情感描绘细腻动人，故事虽然简单但简单出了淡雅的气质，带着一丝佛理，回归动画电影最朴素的本质，真的是太好看了，只可惜此片已是绝唱。这部电影就是一个纯粹的艺术品，必永传于世。 9.0分 ★★★★☆ 【PS：侍女萌cry】